• Michaela Lavelle on Donna Tartt’s The Secret History
• Peter Money on Accordion Eulogies by Noé Álvarez and The Language of Remembering by Patrick Holloway
• Kate Oden on Katie Kitamura’s Audition
• H Rooker on Jesie Ostermiller’s The Colorwork Bible
• Carin Pratt on The Loneliness of Sonia and Sunny by Kiran Desai
• Kari Meutsch on Higher Magic by Courtney Floyd
• Rena Mosteirin on The Ghost of Wreckers Cove by Liniers and Angelica del Campo
• Emma Kaas on Sylvia Townsend Warner’s Lolly Willowes
• Jared Jenisch on Helen Whybrow’s The Salt Stones: Seasons of a Shepherd’s Life
• Liza Bernard on Jeanne Birdsall’s The Library of Unruly Treasures
• Michaela Lavelle on Lily Brooks-Dalton's The Light Pirate
• Jeff Sharlet on the great writing of alt-weeklies
• Peter Money on silences
• Kate Oden on the novels of Kathryn Davis
• H Rooker on three plays worth reading
• Carin Pratt on Peter Godwin’s Exit Wounds
• Kari Meutsch on Jo Knowles’ Someone’s Gonna End Up Crying
• Rena Mosteirin on Carlene Kucharczyk’s Strange Hymn
• Sam Kaas on Nan Shepherd’s The Living Mountain